"Não Enche!" on Netflix. Directed by Azul Lombardía, the film tells the story of Ángela (played by Carla Peterson) and Vera (played by Julieta Díaz), two women with distinct personalities who struggle to control their anger.  After meeting in an anger management group, they decide to team up to expose a fraudulent plastic surgeon. The plot addresses themes of friendship, overcoming obstacles, and the quest for justice. [caption id="attachment_291352" align="aligncenter" width="596"] Image: Página12[/caption] See more: Non-stop Horror: disturbing film on Netflix promises chills and will give you goosebumps! MOVING Dorama on Netflix is perfect for those who finished My Favorite Demon!

Synopsis and cast of the Argentine film “Não Enche!”

The synopsis of the Argentine film “Não Enche!” is as follows:

“Ángela (Carla Peterson) and Vera (Julieta Díaz) are two women with explosive personalities who find themselves trying to tame their wildest impulses.  But when Edgardo (Salvador Del Solar), a guru obsessed with eternal youth, crosses their path, they decide to confront him by leading an absolutely ridiculous yet just plan.”

• Carla Constanza Peterson as Ángela Trigal
• Julieta Díaz as Vera Lombardi
• Salvador del Solar as Edgardo Sánchez Leven
• Fito Páez as the director
• Eugenia Guerty as Cecilia
• Esteban Lamothe as Fercho
• Martín Garabal as Fede
• Nancy Dupláa as Mónica
• Cecilia Dopazo as Fanny
• Claudia Fernández as Paola Blejer
• Alfonso Tort as Ramiro
• Celina Font as Natalia
• Brenda Kreizerman as Emilce
• Jazmín Rodríguez Duca as Teresa
• Lalo Rotavería as Rober
• Maitina De Marco as Susy
• Nazarena Nóbile as Mónica

The controversies behind the Argentine film

This film narrates the story of two women who confront their anger issues and unite to take on a media-savvy surgeon who has jeopardized their lives. However, the film emerges at a delicate moment due to recent events involving Aníbal Lotocki, a plastic surgeon convicted of malpractice following the tragic death of model and actress Silvina Luna on August 31st. The controversy centers around the comedic approach to the theme of malpractice, causing discomfort among the Argentine audience. The jokes miss the intended mark, lacking humor in light of the tragedy that occurred. Watch the trailer for the Argentine film on Netflix “Não Enche!” right below: https://www.youtube.com/watch?v=bgP65f-PiZc&pp=ygUTbsOjbyBlbmNoZSEgdHJpYWxlcg%3D%3D

Other Argentine films available on Netflix

Check out other options of Argentine films available on Netflix:

• "Relatos Selvagens" - An anthology that explores the thin line between civilization and barbarism, presenting impactful stories of revenge and emotional upheaval in everyday situations.
• "O Segredo dos Seus Olhos" - An engaging crime thriller following a retired investigator as he revisits an unsolved case and reflects on his past, unrequited love, and lasting obsessions.
• "O Filho da Noiva" - A dramedy tackling themes such as family, love, and rediscovery of life. A man faces existential dilemmas while trying to cope with his own personal crisis and the challenges around him.
• "A Mão Que Balança o Berço" - A psychological thriller unfolding as a woman hired as a babysitter develops a dangerous obsession with the family that employed her, leading to disturbing events.
• "XXY" - A sensitive drama exploring the journey of an intersex teenager, Alex, as she faces issues of identity, love, and acceptance in a small coastal community.

About actress Carla Constanza

Carla Constanza Peterson, born in Córdoba, Argentina, on April 6, 1974, is a versatile actress known for her performances in dramatic and comedic roles. She spent her first two years in Córdoba before starting her artistic career. Daughter of Argentine parents, Carla stood out in the artistic scene with her striking presence. Carla Peterson has an extensive and diverse career, having participated in a variety of projects, including films and television shows. With recognized talent, she has carved a significant place in the entertainment industry, acclaimed by both critics and audiences.